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Classical concerts featuring
Joshua Bloom

Overview

Quick overview of musician Joshua Bloom by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
8
Amsterdam
The Netherlands
Amsterdam
1

ProgramFrequently performs

Works by
Jacques Offenbach
4
Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
4
Works by
Leoš Janáček
1

MusiciansFrequently collaborate with

Musician
Andrew Dickinson
16
Musician
Nicholas Mogg
12
Musician
Aaron Godfrey-Mayes
8
Musician
Amina Edris
8
Musician
Angela Brower
8

New Arrivals

These concerts featuring Joshua Bloom became visible lately at ConcertPulse.

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Upcoming Concerts

Concerts featuring Joshua Bloom in season 2024/25 or later

February 14, 2025
Artistic depiction of the event

Les Contes d'Hoffmann

Fri, Feb 14, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Kent Nagano (Musical Director), Christian Günther (Chorleitung), Bernard Richter (Hoffmann), Amina Edris (Antonia), Amina Edris (Stella), Caroline Wettergreen (Olympia), Alessandra Di Giorgio (Giulietta), Angela Brower (La Muse), Angela Brower (Nicklausse), Joshua Bloom (Lindorf), Joshua Bloom (Coppélius), Joshua Bloom (Dr. Miracle), Joshua Bloom (Dapertutto), Andrew Dickinson (Andrès), Andrew Dickinson (Cochenille), Andrew Dickinson (Frantz), Andrew Dickinson (Pitichinaccio), Katja Pieweck (La Mère), Tigran Martirossian (Maître Luther), Tigran Martirossian (Crespel), Seungwoo Simon Yang (Nathanaël), Jürgen Sacher (Spalanzani), Aaron Godfrey-Mayes (Wilhelm), Aaron Godfrey-Mayes (Wolfram), William Desbiens (Le Capitaine des Sbirres), Nicholas Mogg (Schlémil), Nicholas Mogg (Hermann), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Opéra Fantastique in five acts Libretto by Jules Barbier Based on the play by Jules Barbier and Michel Carré Edited by Michael Kaye and Jean-Christophe Keck The poet E. T. A. Hoffmann as the protagonist of his own fantastic tales: In his encounter with three women - Olympia, Antonia, and Giulietta - he searches in vain for love for love and for himself. Will he draw the strength for art from his failure in life? art from his failures in life? Or will he fail in himself, even in alcohol? Like in a kaleidoscope, ever new constellations and shimmering colors constellations and shimmering colors German romanticism and French esprit. The composer died over the work without the first performance, which took place in a greatly greatly abridged form. Since then the performance history itself has been an exciting crime play, surprising discoveries have made Hoffmann's tales appear again and again in a new in a new and fascinating light. Musical direction: Kent Nagano Direction: Daniele Finzi Pasca Co-direction: Mellissa Vettore Stage design: Hugo Gargiulo Associate Set design: Matteo Verlicchi Costumes: Giovanna Buzzi Associate Costumes: Ambra Schumacher Lighting: Daniele Finzi Pasca, Marzio Picchetti Video: Roberto Vitalini Choreography: Maria Bonzanigo Dramaturgy: Savina Kationi, Ralf Waldschmidt Choire: Eberhard Friedrich
Info & Ticket (www.staatsorchester-hamburg.de)
February 19, 2025
Artistic depiction of the event

Les Contes d'Hoffmann

Wed, Feb 19, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Kent Nagano (Musical Director), Christian Günther (Chorleitung), Bernard Richter (Hoffmann), Amina Edris (Antonia), Amina Edris (Stella), Caroline Wettergreen (Olympia), Alessandra Di Giorgio (Giulietta), Angela Brower (La Muse), Angela Brower (Nicklausse), Joshua Bloom (Lindorf), Joshua Bloom (Coppélius), Joshua Bloom (Dr. Miracle), Joshua Bloom (Dapertutto), Andrew Dickinson (Andrès), Andrew Dickinson (Cochenille), Andrew Dickinson (Frantz), Andrew Dickinson (Pitichinaccio), Katja Pieweck (La Mère), Tigran Martirossian (Maître Luther), Tigran Martirossian (Crespel), Seungwoo Simon Yang (Nathanaël), Jürgen Sacher (Spalanzani), Aaron Godfrey-Mayes (Wilhelm), Aaron Godfrey-Mayes (Wolfram), William Desbiens (Le Capitaine des Sbirres), Nicholas Mogg (Schlémil), Nicholas Mogg (Hermann), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Opéra Fantastique in five acts Libretto by Jules Barbier Based on the play by Jules Barbier and Michel Carré Edited by Michael Kaye and Jean-Christophe Keck The poet E. T. A. Hoffmann as the protagonist of his own fantastic tales: In his encounter with three women - Olympia, Antonia, and Giulietta - he searches in vain for love for love and for himself. Will he draw the strength for art from his failure in life? art from his failures in life? Or will he fail in himself, even in alcohol? Like in a kaleidoscope, ever new constellations and shimmering colors constellations and shimmering colors German romanticism and French esprit. The composer died over the work without the first performance, which took place in a greatly greatly abridged form. Since then the performance history itself has been an exciting crime play, surprising discoveries have made Hoffmann's tales appear again and again in a new in a new and fascinating light. Musical direction: Kent Nagano Direction: Daniele Finzi Pasca Co-direction: Mellissa Vettore Stage design: Hugo Gargiulo Associate Set design: Matteo Verlicchi Costumes: Giovanna Buzzi Associate Costumes: Ambra Schumacher Lighting: Daniele Finzi Pasca, Marzio Picchetti Video: Roberto Vitalini Choreography: Maria Bonzanigo Dramaturgy: Savina Kationi, Ralf Waldschmidt Choire: Eberhard Friedrich
Info & Ticket (www.staatsorchester-hamburg.de)
February 26, 2025
Artistic depiction of the event

Les Contes d'Hoffmann

Wed, Feb 26, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Kent Nagano (Musical Director), Christian Günther (Chorleitung), Bernard Richter (Hoffmann), Amina Edris (Antonia), Amina Edris (Stella), Caroline Wettergreen (Olympia), Alessandra Di Giorgio (Giulietta), Angela Brower (La Muse), Angela Brower (Nicklausse), Joshua Bloom (Lindorf), Joshua Bloom (Coppélius), Joshua Bloom (Dr. Miracle), Joshua Bloom (Dapertutto), Andrew Dickinson (Andrès), Andrew Dickinson (Cochenille), Andrew Dickinson (Frantz), Andrew Dickinson (Pitichinaccio), Katja Pieweck (La Mère), Tigran Martirossian (Maître Luther), Tigran Martirossian (Crespel), Seungwoo Simon Yang (Nathanaël), Jürgen Sacher (Spalanzani), Aaron Godfrey-Mayes (Wilhelm), Aaron Godfrey-Mayes (Wolfram), William Desbiens (Le Capitaine des Sbirres), Nicholas Mogg (Schlémil), Nicholas Mogg (Hermann), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Opéra Fantastique in five acts Libretto by Jules Barbier Based on the play by Jules Barbier and Michel Carré Edited by Michael Kaye and Jean-Christophe Keck The poet E. T. A. Hoffmann as the protagonist of his own fantastic tales: In his encounter with three women - Olympia, Antonia, and Giulietta - he searches in vain for love for love and for himself. Will he draw the strength for art from his failure in life? art from his failures in life? Or will he fail in himself, even in alcohol? Like in a kaleidoscope, ever new constellations and shimmering colors constellations and shimmering colors German romanticism and French esprit. The composer died over the work without the first performance, which took place in a greatly greatly abridged form. Since then the performance history itself has been an exciting crime play, surprising discoveries have made Hoffmann's tales appear again and again in a new in a new and fascinating light. Musical direction: Kent Nagano Direction: Daniele Finzi Pasca Co-direction: Mellissa Vettore Stage design: Hugo Gargiulo Associate Set design: Matteo Verlicchi Costumes: Giovanna Buzzi Associate Costumes: Ambra Schumacher Lighting: Daniele Finzi Pasca, Marzio Picchetti Video: Roberto Vitalini Choreography: Maria Bonzanigo Dramaturgy: Savina Kationi, Ralf Waldschmidt Choire: Eberhard Friedrich
Info & Ticket (www.staatsorchester-hamburg.de)
March 1, 2025
Artistic depiction of the event

Les Contes d'Hoffmann

Sat, Mar 1, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Kent Nagano (Musical Director), Christian Günther (Chorleitung), Bernard Richter (Hoffmann), Amina Edris (Antonia), Amina Edris (Stella), Caroline Wettergreen (Olympia), Alessandra Di Giorgio (Giulietta), Angela Brower (La Muse), Angela Brower (Nicklausse), Joshua Bloom (Lindorf), Joshua Bloom (Coppélius), Joshua Bloom (Dr. Miracle), Joshua Bloom (Dapertutto), Andrew Dickinson (Andrès), Andrew Dickinson (Cochenille), Andrew Dickinson (Frantz), Andrew Dickinson (Pitichinaccio), Katja Pieweck (La Mère), Tigran Martirossian (Maître Luther), Tigran Martirossian (Crespel), Seungwoo Simon Yang (Nathanaël), Jürgen Sacher (Spalanzani), Aaron Godfrey-Mayes (Wilhelm), Aaron Godfrey-Mayes (Wolfram), William Desbiens (Le Capitaine des Sbirres), Nicholas Mogg (Schlémil), Nicholas Mogg (Hermann), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Opéra Fantastique in five acts Libretto by Jules Barbier Based on the play by Jules Barbier and Michel Carré Edited by Michael Kaye and Jean-Christophe Keck The poet E. T. A. Hoffmann as the protagonist of his own fantastic tales: In his encounter with three women - Olympia, Antonia, and Giulietta - he searches in vain for love for love and for himself. Will he draw the strength for art from his failure in life? art from his failures in life? Or will he fail in himself, even in alcohol? Like in a kaleidoscope, ever new constellations and shimmering colors constellations and shimmering colors German romanticism and French esprit. The composer died over the work without the first performance, which took place in a greatly greatly abridged form. Since then the performance history itself has been an exciting crime play, surprising discoveries have made Hoffmann's tales appear again and again in a new in a new and fascinating light. Musical direction: Kent Nagano Direction: Daniele Finzi Pasca Co-direction: Mellissa Vettore Stage design: Hugo Gargiulo Associate Set design: Matteo Verlicchi Costumes: Giovanna Buzzi Associate Costumes: Ambra Schumacher Lighting: Daniele Finzi Pasca, Marzio Picchetti Video: Roberto Vitalini Choreography: Maria Bonzanigo Dramaturgy: Savina Kationi, Ralf Waldschmidt Choire: Eberhard Friedrich
Info & Ticket (www.staatsorchester-hamburg.de)
March 22, 2025
Artistic depiction of the event

Karina Canellakis conducts Janáček's From the House of the Dead

Sat, Mar 22, 2025, 14:15
Het Concertgebouw, Main Hall (Amsterdam)
Radio Filharmonisch Orkest, Groot Omroepkoor, Karina Canellakis (Conductor), Jeremy Bines (Choral conductor), Joshua Bloom (Alexandr Petrovi Gorjanikov), Bekhzod Davronov (Aljeja), Roland Wood (Siskov), Jan Martiník (Placmajor), Alexey Dolgov (Sapkin), Alexey Dolgov (Opily vezen), Alexey Dolgov (Vesely vezen), Tim Kuypers (Vezen maly), Tim Kuypers (Urputny Vezen), Stephan Rügamer (Luka), Maria Warenberg (Pobehlice), Sam Carl (Don Juan), Julian Hubbard (Skuratov), Zbigniew Malak
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Info & Ticket (www.concertgebouw.nl)
June 22, 2025
Artistic depiction of the event

Così fan tutte

Sun, Jun 22, 2025, 17:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
Info & Ticket (www.staatsorchester-hamburg.de)
June 25, 2025
Artistic depiction of the event

Così fan tutte

Wed, Jun 25, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
Info & Ticket (www.staatsorchester-hamburg.de)
June 28, 2025
Artistic depiction of the event

Così fan tutte

Sat, Jun 28, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
Info & Ticket (www.staatsorchester-hamburg.de)
July 2, 2025
Artistic depiction of the event

Così fan tutte

Wed, Jul 2, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Alexander Joel (Musical Director), Christian Günther (Chorleitung), Jennifer Davis (Fiordiligi), Jana Kurucová (Dorabella), Nicholas Mogg (Guglielmo), Dovlet Nurgeldiyev (Ferrando), Siobhan Stagg (Despina), Joshua Bloom (Don Alfonso), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Seeking to test their girlfriends’ fidelity, two men wager that they will remain steadfast. They subject the women to passionate onslaught, and in the end, the fortress of their faithfulness falls. The men, however, involved as they are in the experiment, failed to reckon that they too might betray their partners and feelings. All this cheating, confusing, lying – to others and oneself – is grotesquely comical and simultaneously cruel. One side is inclined not to think about the new situation (Guglielmo and Dorabella), while the others try to comprehend it to the point of exhaustion (Fiordiligi and Ferrando). The final ceremony seeks to cement the social status quo, bringing this new freedom to its knees. The marriage, however, is only for show, and beneath the surface of tradition, the first cracks appear. Director: Herbert Fritsch Costume Designer: Victoria Behr Lighting Designer: Carsten Sander Dramaturgy: Johannes Blum Premiere: September 8th, 2018
Info & Ticket (www.staatsorchester-hamburg.de)